The images are spread all over the institute, on the ground floor, in the gallery above, in the cellar and even on the glass ceiling above the reception area. There are not many pictures in the show, entitled Reality on Cloud 9, and they are not large either ? one must get close to the photographs of Zsuzsanna Kemenesi on the wall in the reception area in order to see them ? but they have a big impact.
Gabriella Csoszó?s portraits of people with their eyes shut as well as group pictures rewrite the traditions of art history on the ground floor of the institute. Enikő Hangay examines the connection between mother and child on daily walks in her ?mother ship? series.
Viola Fátyol?s images show the most exciting moments. The irrationality of real space rises to the surface in her images which highlight rather than configure.
